“ ATTAM “ – ANAND EKARSHI’S DEBUT FILM 

 “ ATTAM “ – ANAND EKARSHI’S DEBUT FILM 

Anand Ekarshi’s debut film grapples with societal reflections and justice in the context of a gender-minority concern. The narrative unfolds within a theater group facing a moral dilemma when a female actor, Anjali (played by Zarin Shihab), experiences harassment. The film explores the complexities of societal norms, with a cast of actors bringing a theatrical backdrop to the story. Symbolizing societal representatives, the movie features 12 men and a woman in the theater group. As the plot unfolds, 11 men engage in debates over the guilt of the accused co-artist, prompting them to confront their own moral compass.

Despite its exploration of societal issues, the film falls short of its artistic purpose by concluding ambiguously, employing a unusual effect. Instead of openly revealing the culprit, the narrative leaves the audience in suspense, missing an opportunity to expose wrongdoers to society. The use of Brecht’s alienation technique unintentionally places blame on the 11 other men, perpetuating stereotypes and victimizing them as well. Anjali’s catharsis, while addressing her trauma, risks doing injustice to the wrongly accused men, reinforcing a ‘all men are rapists’ narrative.

Drawing parallels with ’12 Angry Men,’ the film tackles workplace harassment within the #MeToo movement. However, it deviates by emphasizing terms like ‘tactile hallucinations,’ potentially undermining genuine assault claims. In an era demanding clarity and accountability, the film suggests a need to focus on punishing culprits rather than making broad generalizations. While the movie contributes to gender discourse, its artistic stance may gather both supporters and critics, showcasing the diversity of perspectives that contribute to the appreciation of any work of art.