Anweshippin Kandethum

Crime thrillers, a favored genre among audiences, present a myriad of challenges. The success of such narratives hinges on the lead actor’s portrayal and a captivating storyline, factors particularly crucial given the inundation of web series and films saturating this genre annually. Director Darwin Kuriakose’s “Anweshippin Kandethum,” set against the backdrop of the early 1990s, adheres to the investigative thriller archetype with Tovino Thomas assuming the role of SI Anand Narayanan. Anand’s induction as a sub-inspector in a village within Kottayam’s district in 1993 becomes a moment of parental pride. However, when the disappearance of a young girl, Lovely Mathan, shrouds the village in mystery, Anand and his team are tasked with uncovering the truth. Intercommunal tensions within the village complicate matters, with Anand’s police superiors pressuring him to abandon investigations involving a Christian priest.

Despite Anand’s earnest efforts to crack the case, he finds himself marginalized, humiliated, and relegated to menial tasks, leading him to pursue unofficial inquiries. While Anand’s conclusive report earns commendation from the SP, his reputation within the police force and public domain suffers irreparable damage. Following a period of suspension, Anand and his team are assigned a cold case spanning six years in Cheruvalli. Will Anand manage to crack both cases? Can he salvage his standing as a police officer and earn the respect of his peers?

“Anweshippin Kandethum” marks director Darwin Kuriakose’s maiden venture, showcasing promise in delivering a competent crime thriller. Writer Jinu Abraham crafts a narrative that effectively encompasses two distinct cases, maintaining audience engagement throughout. Abraham’s expertise in thriller storytelling is evident, with the film’s first half propelling forward at a brisk pace, albeit slowing down in the latter half. The transition in narrative style between the two halves sustains the audience’s interest, albeit primarily functioning as a procedural drama guiding Anand’s quest for justice. While emotional connections with the victims or police may be lacking, the unwavering pursuit of justice resonates with viewers. Renowned Tamil music director Santhosh Narayan’s contribution to the film’s score is commendable, adding depth to the narrative.

In his fourth portrayal as a police officer, Tovino Thomas delivers a compelling performance, characterized by subtlety rather than bombastic dialogue delivery. Thomas adeptly embodies the evolution of Anand’s character, transitioning from a novice officer to a seasoned leader seamlessly. Supported by a talented ensemble cast including Indrans, Shammi Thilakan, Siddique, Harisree Ashokan, and Baburaj, Thomas’s performance stands out amidst the ensemble.